Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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LORENZO DI CREDI
The Adoration of the Shepherds

ID: 91124

LORENZO DI CREDI The Adoration of the Shepherds
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LORENZO DI CREDI The Adoration of the Shepherds


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LORENZO DI CREDI

Italian High Renaissance Painter, ca.1458-1537  Related Paintings of LORENZO DI CREDI :. | Portrait of Perugino | Self-Portrait | After Leonardo there Vinci, the Verkundigung | The Holy Family g | The Anunciaction |
Related Artists:
Master of the Louvre Nativity
active in Florence in the Second half of the fifteenth century
Pierre-edouard Frere
(1819 - 1886), French painter, studied under Hippolyte Delaroche, entered the e - ole des Beaux-Arts in 1836 and exhibited first at the Salon in 1843. The marked sentimental tendency of his art makes us wonder at John Ruskin's enthusiastic eulogy which finds in Frere's work the depth of William Wordsworth, the grace of Joshua Reynolds, and the holiness of Fra Angelico. What we can admire in his work is his accomplished craftsmanship and the intimacy and tender homeliness of his conception. Among his chief works are the two paintings, Going to School and Coming from School, The Little Glutton (his first exhibited picture) and L'Exercice (in the 19th century this work was in John Jacob Astor's collection). A journey to Egypt in 1860 resulted in a small series of Orientalist subjects, but the majority of Frere's paintings deal with the life of the kitchen, the workshop, the dwellings of the humble, and mainly with the pleasures and little troubles of the young, which the artist brings before us with humor and sympathy. He was one of the most popular painters of domestic genre in the middle of the 19th century.
Bastiano da Sangallo
(1481 - May 31, 1551) was an Italian sculptor and painter of the Renaissance period, active mainly in Tuscany. He was a nephew of Giuliano da Sangallo and Antonio da Sangallo the Elder. He is usually known as Aristotile, a nickname he received from his air of sententious gravity. He was at first a pupil of Perugino, but afterwards became a follower of Michelangelo. Mentioned by Vasari as one who made a small copy of the Cartoon of Michelangelo Battle of Cascina (1506).






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